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Grete von Zieritz
* 10.03.1899 in Wien † 26.11.2001 in Berlin
Grete von Zieritz wurde am 10. März 1899 als Tochter der österreichischen Malerin Vera von Zieritz, geborene Neumann, und des Offiziers und späteren Generalmajors Karl Ferdinand von Zieritz in Wien geboren. Ersten Klavierunterricht erhielt Grete von Zieritz als Sechsjährige in Wien. Die Unterweisungen wurden in Innsbruck, wo die Familie von 1906 bis 1909 lebte, und anschließend in Lemberg fortgesetzt.
Innerhalb kurzer Zeit erreichte sie pianistische Fähigkeiten, die ihr Auftritte in Schülerkonzerten ermöglichten. Sie wurde öffentlich als Wunderkind gefeiert. 1912 begann ihre umfassende Ausbildung als Pianistin bei Hugo Kroemer und als Komponistin bei Dr. Roderich von Mojsisovics-Mojsvär an der Musikschule des Steiermärkischen Musikvereins in Graz. Nach Abschluß dieser Ausbildung mit Auszeichnungen in allen Fächern (1917) begleitete Mojsisovics sie nach Berlin, wo sie letzte Impulse als Pianistin bei dem Liszt-Schüler Martin Krause und nach dessen Tod bei R.-M. Breithaupt erhielt.

Werke:

Annäherung VI - an sieben Komponistinnen

Emely Zobel
* 1964 in Hameln an der Weser † 1996 in Essen
After finishing Secondary school university studies followed in the fields of psychology, philosophy and musicology at Hamburg; Cello at Detmold, Essen and Aachen. Awarded with a scholarship of the government: "Begabtenförderung der Studienstiftung Villigst".
1992 final exams in musical arts; still carrying her civil name Susanne Ehlers; multivarious concerts as soloist and chambermusic player; debuts at well named festival places e.g. Warschauer Herbst, Berlinale, Aktive Musik Ruhr, Festival Weimar, Schreyaner Herbst. Member of various contemporary music groups. 1987 one of the initiators of the ConGioco Ensemble, a group of six musicians who dedicate themselves to avantgarde music. 1993 foundation of the Mengano Quartet. Numerous concert tours through Europe and South America. Working out concepts in experimental music theatre, improvisation and performance as well as modern dance theatre. Realisation of an everlasting dream: to be a composer. Stimulated by ConGioco Ensemble she creates her first musical work. 1995 first radio-production with the HR Frankfurt. A posthumous edition of recording (CD SAL 7006, Salto Records International) includes contemporary music for cello and voice and was recorded and prepared for edition by Susanne Ehlers in 1995/1996. On this CD she interprets "besides some own pieces" compositions by John Cage, Adriana Hälszky, Mauricio Kagel, Louis Andriessen and Roland Aley.

Werke:

Blau op. 2
Cäcilie op. 13
Fliegen op. 12
Flodigarry op. 3
Horn. Music for Horn solo
L'amour op. 5
Oh op. 10
a picture of me gardening op. 4

Emilie Zumsteeg
* 09.12.1796 in Stuttgart † 01.08.1857
Emilie Zumsteeg was the youngest child of the German composer Johann Rudolf Zumsteeg, and she was known as a composer, pianist, singer and one of the most sought after music teachers of her time. Her father died when she was six years old and shortly thereafter her mother opened a music shop, in which young Emilie helped. Her mother recognized her musical talent and Emilie studied piano, theory and singing. Gifted with a fine alto voice she was soon singing and performing on the piano. As an adult, she was in contact with leading musicians and poets of her day and her literary interest is reflected in the “Lied”, her compositional mainstay and the basis of her creative reputation.
She also wrote several piano works (Trois Polonaises) and chamber works. She occupied a central position in the musical life of Stuttgart as a teacher of singing and the piano, as a leading member of the Verein für klassische Kirchenmusik, preparing works such as Handel’s Messiah and Haydn’s Creation with the choir that she had called to life. In the same manner as Luise Reichardt a male colleague conducted the public performance of her work or arrangement. She also founded the “Sonntagsmusiken” the Sunday-Concerts to which artists from other places came and could be heard. Her music was still known in the late 19th century, it includes many simple strophic songs, but occasionally they reveal an Italianate flair and more originality.

Werke:

Annäherung XII - an sieben Komponistinnen
Christmas Carols by Women Composers Vol. 3
Christmas Carols by Women Composers Vol. 4
pian é forte. Music for piano

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