Monthly Archives: May 2025

21 05, 2025

Isacco by Marianna Martines in Vienna

2025-05-21T14:32:40+02:0021. May 2025|Current Posts|

Isacco by Marianna Martines in Vienna
Oratorio in two parts
Libretto by Pietro Metastasio
Introductory matinee – talks and information before the premiere (in German) on Sun 25.05. at 11.00 am, premiere on Thu 05.06.19.00, performance period: 05.06.-26.06.2025

In the introductory matinee a few days before the premiere, the dramaturges invite conductors, directing teams and members of the ensemble to a discussion. Together, they talk about the new production, present their work and arouse curiosity about the work to be discovered.

Marianna Martines was considered a child prodigy and could sing arias, play the harpsichord and compose. Encouraged by the Viennese court poet Metastasio, she took lessons from Joseph Haydn and Nicola Porpora, had Wolfgang Amadeus Mozart as a guest in her salon, played for Maria Theresa and renounced marriage in order to devote herself entirely to music. But such a talented and successful woman was not destined to be a permanent fixture in cultural history, and her once glorious name became a marginal note in the world of music. To this day, performances of her works are a rarity. One of her most important compositions is the oratorio Isacco figura del redentore (Isaac, model of the Redeemer) from 1782, in which she paid …

12 05, 2025

One week with Fanny Hensels HIOB in France

2025-05-12T07:44:34+02:0012. May 2025|Current Posts|

Four times this week you have the opportunity to listen to Fanny Hensel’s cantata HIOB: At the Rendez-vous event with the Orchestre National d’Ile-de-France accompanied by the Chœur de Radio France under the direction of Case Scaglione.

In 2025, the 220th birthday of Fanny Hensel will be celebrated worldwide. She is one of the most important female composers of the 19th century. Born in 1805, she composed over 460 works, including piano pieces, songs, chamber music and orchestral and choral works. Her work is lyrical and expressive and has met with great interest and recognition.

Fanny Hensel composed HIOB in 1831 in a dramatic and expressive style with the intention of portraying the suffering of Job as a test of faith.

The concerts in detail:

14 may 2025 – 20h30
Poissy (78)

Théâtre de Poissy

Réserver

15 may 2025 – 20h30
Le Perreux-sur-Marne

Center des Bords de Marne

16 mai 2025 – 20h30
Plaisir

Théâtre Espace Coluche

18 may 2025 – 16h
Suresnes (92)

Théâtre de Suresnes Jean Vilar

 

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