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Ostinato super Thema Octoicha [Octoicha III] (6’50) for piano, harp and string orchestra

Curious Byzantine scales unfold in Ljubica Maric’s Ostinato Super Thema Octoicha. The work will now be performed by the Cayuga Chamber Orchestra on 9/14/2024 at 7:30 PM at Ford Hall, Ithaca College.

Ljubica Maric is one of the most prominent representatives of contemporary music in Serbia. Her compositions, influenced by the musical works of Schoenberg and Haba, have been enthusiastically acclaimed at performances in Prague, Amsterdam (World Music Days of the International Society for New Music 1933) and Strasbourg.
“Ostinato super Thema Octoicha represents an extraordinary challenge for the pianist. Although the piano part is technically simple – reduced to the level of children’s finger exercises finger exercises for children – it must be performed with great calm and evenness, completely independent of what is going on in the orchestra. This can only be achieved if subjective moments such as expression, pianistic habits, intrusiveness of any kind, especially romantic posturing, are dispensed with.” (L. Marić)

“All parts are technically simple and musically equal. Maric dedicates a very sonorous five-bar chord solo in ad libitum to the harp. The composer also dispenses with any kind of effects. Conventional notation makes it …

On Sunday, September 8, 2024, at 12 noon at the George Enescu National Museum, Sinaia Memorial House, Bucharest
CARMEN MARIA CÂRNECI – TraumLieder – for mezzo-soprano and piano (2023) – premiere
1. dream dancer / (verses by Stephanie Jans).
2. fire (verses by Anka Knechtel).
3. dream of a simple life (verses by Sabine Kleuker)
with Claudia Caia (mezzo-soprano), Andrei Tănăsescu (piano)
“The composer Tatjana Prelevic inspired me to compose the “TraumLieder”: in 2005 she led the project “Spreche als Klangbrücke” at the Hanover State University of Music and Drama, in which my songs were rehearsed and premiered by students in the original version for mezzo-soprano and ensemble. I had chosen three short poems about the inner world of women as texts for the songs; they inspired me once again to write this version for voice and piano.”

The Liedstadt Hamburg festival honors Ruth Schonthal:
We get to know the Hamburg composer Ruth Schonthal together and celebrate her 100th birthday.
“Different cultures have shaped my music” – we introduce the pioneer with songs and a sounding diary.”

No fear of Ruth Schönthal
19:00 (CET)

23 Sep, 2024

KörberForum, Hamburg

with Julian Prégardien, Marlene Heiß, Dr. Rafael Rennicke

In 2025, the 220th anniversary of Fanny Hensel‘s birth will be celebrated worldwide. She is one of the most important female composers of the 19th century. Born in 1805, she composed over 460 works, including piano pieces, songs, chamber music and orchestral and choral works. Her work is lyrical and expressive and has received great interest and recognition in recent years.

In preparation for the anniversary, the Basel Chamber Orchestra will perform the Overture in C major at several European venues in Scotland, Poland, Liechtenstein and Switzerland in August 2024. And the oratorio, the music for the dead of the cholera epidemic, will be heard on September 28 in Saarbrücken, performed by musicians from the Saarland State Orchestra and the Saarbrücken Oratorio Choir under the direction of KMD Annemarie Ruttloff. Particularly impressive: the funeral choir. Here you can listen to a CD recording.

The glacial sonorities for 4 flutes by dorothea hofmann can be heard again:
The ensemble Vibration4 will perform its program GLETSCHER-REQUIEM, dedicated to the melting Rhone glacier!
on Tuesday, July 30, 2024 at 18:00 at the Goms Summer Concerts in the
St.Michael center on the bettmeralp/Switzerland
and on Wednesday, July 31 at 18:00 at the Classical Festival of Haudères /Switzerland
#dorotheahofmann, #furore_musicbywomencomposers, #transverse flute #vibration4, #RozaliaAgadjanian, #RaphaelleRubelin, #ElianeWilliner, #ElianeLocher, #glacier, #rhonealpes, #gommern, #bettmeralp

Novara in Italy, September 6, 1620: the composer and nun Isabella Leonarda is born. At the age of sixteen (1636), she entered the Collegio di Sant’Orsola convent, where she lived for the rest of her life – as a prolific composer.
A significant proportion of northern Italian music of the 16th and 17th centuries was written by female composers. One of the most productive of these was the noblewoman Isabella Leonarda. She left behind around 200 compositions. The 20 volumes contain mainly sacred music, such as motets for soloists and continuo and also a mass for soloists, choir, strings and continuo.
Opus 16 is her only purely instrumental work. It consists of 12 church sonatas. These compositions were performed as part of the Catholic mass. It is one of the first instrumental compositions published by a woman. They have been published by Furore Verlag:
Sonata No. 1 for 2 violins and b.c.
and Sonata No. 12 for violin and b.c.

S O M M E R K O N Z E R T  2024 am 20.07.2024 at 20:00 h

Archöologischer Park Cambodunum ( kleine Thermen ) Kempten

with the Orchesterverein Kempten (cond. Mary Ellen Kitchens)

The Roman Emperor Hadrian (76-138) wrote this poem on his deathbed – in great fear of the grey Hades. Yet the longing for life, for beauty, for the brightness of existence was so strong that one of the most beautiful poems of this era was written in this hopeless plight. The words almost sing, the joie de vivre is physically palpable, and the language is so skilful that only approximate translations are possible that attempt to come close to the poetically playful original. The poem has remained, it has survived the ages, admired, read, quoted and passed on. The grey night of death could not erase everything, Hadrian’s “animula vagula blandula” lives on in the poem.

Concert: Swedish Chamber Orchestra plays Marie Jaëll:
Concerto pour violoncelle (1882) in Stockholm (Queen Silvia Concert Hall) with Raphaela Gromes
Marie Jaëll would probably be overjoyed to hear her cello concerto played by Raphaela Gromes. It caused a sensation at its premiere in 1882. Marie Jaëll was probably one of the first European composers of the Romantic period to incorporate impressions from America into her concerto. Julian Riem has reconstructed the second movement – Lento – and edited the concerto.
The concert is the starting point of a very special journey: During its week-long cruise through the Baltic Sea from September 5 to 14, 2024, the ship MS Europa will set sail from Stockholm’s Old Town, and this year the onboard program is dedicated to women in classical music.

At the forefront will be cellist Raphaela Gromes, who will open the exclusive concert on land in the Queen Silvia Concert Hall together with the Swedish Chamber Orchestra.