Events for 16. February 2024 - 10. September 2023

Program: Ludwig van Beethoven The Creatures of Prometheus (The Storm) Antonin Reich Lenore (La Orage) In Zaragoza I go mother Aragonese popular song Julius Rietz Hero und Leander (opening) binjicuény popular african children’s song Carl Maria von Weber Kampf und Sieg (The Battle) Na gorod_ verba ryasna Ukrainian folk song © Polyphony Project Ludwig van Beethoven Symphony No. 7 (2nd movement) Fanny Mendelssohn-Hensel hero and leander Ludwig van Beethoven Symphony No. 6 “Pastoral” o Memories of country life Carl Maria von Weber Oberon (Cavatina) Ludwig van Beethoven Triumphal Symphony, fragment from Egmont Carl Maria von Weber Oberon (Pray) Carl Maria von Weber Oberon (Storm)

Program: Ludwig van Beethoven The Creatures of Prometheus (The Storm) Antonin Reich Lenore (La Orage) In Zaragoza I go mother Aragonese popular song Julius Rietz Hero und Leander (opening) binjicuény popular african children’s song Carl Maria von Weber Kampf und Sieg (The Battle) Na gorod_ verba ryasna Ukrainian folk song © Polyphony Project Ludwig van Beethoven Symphony No. 7 (2nd movement) Fanny Mendelssohn-Hensel hero and leander Ludwig van Beethoven Symphony No. 6 “Pastoral” o Memories of country life Carl Maria von Weber Oberon (Cavatina) Ludwig van Beethoven Triumphal Symphony, fragment from Egmont Carl Maria von Weber Oberon (Pray) Carl Maria von Weber Oberon (Storm)

IDYLL? Emilie Mayer (1812-1883): Faust Overture, op. 46 (1880) Tryvge Madsen (*1940): Konsert for horn og orkester op. 45 Christian Loferer, horn -Pause- Georges Bizet (1838-1875): "L'Arlésienne" Suites No. 1 and 2 Appearance and reality: between the radiant idyll and the subterranean other, the big question mark flashes up again and again in this program. Highly acclaimed, forgotten, rediscovered: Emilie Mayer's vita reflects the deceptive "idyll" of the female composer, first celebrated as a female Beethoven and promptly archived as a second-rate female epigone. Translated with www.DeepL.com/Translator (free version)

IDYLL? Emilie Mayer (1812-1883): Faust Overture, op. 46 (1880) Tryvge Madsen (*1940): Konsert for horn og orkester op. 45 Christian Loferer, horn -Pause- Georges Bizet (1838-1875): "L'Arlésienne" Suites No. 1 and 2 Appearance and reality: between the radiant idyll and the subterranean other, the big question mark flashes up again and again in this program. Highly acclaimed, forgotten, rediscovered: Emilie Mayer's vita reflects the deceptive "idyll" of the female composer, first celebrated as a female Beethoven and promptly archived as a second-rate female epigone.