Events for 4. February 2023 - 10. March 2023

Mel Bonis, Femmes de légende : Ophélie, Salomé, Le Songe de Cléopâtre, Orchestre National Capitole Toulouse

La Halle aux grains 1 Pl. Dupuy, Toulouse, Frankreich

From the organiser's website:  The creative life of César Franck coincided with the emergence of a number of female personalities in the very male-dominated milieu of French composers. While some of them worked in obscurity all their lives, others achieved real fame, only to be forgotten all too quickly by posterity. Conductor: Leo Hussain Soprano: Anaïs Constans Mezzo-soprano: Aude Extrémo Tenor: François Rougier Augusta HOLMÈS: Andromède Marie JAËLL: Ossiane: Song of Doubt Mel BONIS: Femmes de légende Nadia BOULANGER: La Sirène

Ljubica Maric, Passacaglia, Seattle Philharmonic Orchestra

Benaroya Hall 200 University St,, Seattle, Vereinigte Staaten

Von der Veranstalterwebsite: “Tchaikovsky’s first true masterpiece”: Romeo and Juliet Dismissed by its composer as “a very noisy piece”, Peter Ilyich Tchaikovsky’s 1812 Overture is likely his most oft-performed composition, a depiction in sound of Russia’s victory over Napoleon’s Grande Armée. Just as popular is the composer’s first musical rendering of a Shakespeare play, the fantasy-overture Romeo and Juliet, with its musical portrayals of the young lovers’ passion against the background of their families’ seething mutual hatred. The radiant soprano Allison Pohl will take the stage for a bouquet of romantic songs by Richard Strauss. Two masterly explorations of classical forms will launch this wide-ranging program: Bach’s “Little” Fugue in g, and the haunting Passacaglia of Ljubica Marić (considered the most important of 20th century Serbian composers).

Mel Boni’s Salomé, Op. 100 and other compositions

Detroit Orchestra Hall Max M. & Marjorie S. Fisher Music Center 3711 Woodward Ave, Detroit, Vereinigte Staaten

Conductor Fabien Gabel leads the DSO in a program of musical gems inspired by an original femme fatale and reminiscent of the French-influenced programs of former music director Paul Paray. Program: MEL BONIS: Salomé, Op. 100 ANDERS HILLBORG: Concerto for Cello and Orchestra (US Premiere) RICHARD STRAUSS: "Salome's Dance" from Salome, Op. 54 FLORENT SCHMITT: La Tragedie de Salomé, Op. 50

Mel Boni’s Salomé, Op. 100 and other compositions

Detroit Orchestra Hall Max M. & Marjorie S. Fisher Music Center 3711 Woodward Ave, Detroit, Vereinigte Staaten

Conductor Fabien Gabel leads the DSO in a program of musical gems inspired by an original femme fatale and reminiscent of the French-influenced programs of former music director Paul Paray. Program: MEL BONIS: Salomé, Op. 100 ANDERS HILLBORG: Concerto for Cello and Orchestra (US Premiere) RICHARD STRAUSS: "Salome's Dance" from Salome, Op. 54 FLORENT SCHMITT: La Tragedie de Salomé, Op. 50

Anna Amalia ‘OVERTURE to Erwin and Elmire’, Manchester Camerata, England

The Stoller Hall Hunts Bank, Manchester, Großbritannien (Vereinigtes Königreich)

Programme Mozart The Marriage of Figaro – Overture, K. 492 Mozart Piano Concerto No. 24 in C minor, K. 491 Anna Amalia Erwin and Elmire – Overture Mozart Piano Concerto No. 25 in C major, K. 503 Performed by Jean-Efflam Bavouzet Piano Gábor Takács-Nagy Music Director Manchester Camerata

£3 – £37

Janet Beat is the featured composer at the Tectocnic Festival 2022, Glasgow

Returning after two online incarnations, the festival pushes boundaries and blurs musical genres as international and local artists gather in Glasgow to explore what music can be. It is staged annually by the BBC Scottish Symphony Orchestra, is co-curated by its Principal Guest Conductor Ilan Volkov and Alasdair Campbell (Counterflows) with highlights broadcast on BBC Radio 3. A ground-breaking and somewhat overlooked figure in electronic and experimental music, Janet Beat only released her first commercial album ‘Pioneering Knob Twiddler’ last year. This year’s focus will celebrate her career, including a number of works for solo performer and electronics performed by BBC SSO Principals and soprano Juliet Fraser, as well as sets from Andie Brown, Sharon Gal and Ailie Ormston that echo Beat’s ever-questioning spirit.

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