Hohenheim University Orchestra Conductor Klaus Breuninger More information coming soon: Website of the Symphony Orchestra of the University of Hohenheim (Also the time can still change)
From the organizer's site: Join the Andover Choral Society for performances of Antonio Vivaldi's brilliant and beloved Gloria, a melodious and masterfully crafted cantata by Fanny Mendelssohn Hensel, and the world premiere of a new choral work commissioned by the Andover Choral Society, "becoming," by local composer Demetrius Spaneas.
Hohenheim University Orchestra Conductor Klaus Breuninger More information coming soon: Website of the Symphony Orchestra of the University of Hohenheim (Also the time can still change)
Cleopatra revisited Conductor: David Reiland Soloist: Anne Schwanewilms, soprano Program: Bonis, Three Legendary Women: Le Songe de Cléopâtre Berlioz, The Death of Cleopatra, h 36 Berlioz, Symphonie Fantastique: Episode from the Life of an Artist, in Five Parts, op.14
Cleopatra revisited Conductor: David Reiland Soloist: Anne Schwanewilms, soprano Program: Bonis, Three Legendary Women: Le Songe de Cléopâtre Berlioz, The Death of Cleopatra, h 36 Berlioz, Symphonie Fantastique: Episode from the Life of an Artist, in Five Parts, op.14
Conductor: Speranza Scappucci Trumpet: Lucienne Renaudin Vary Piano: Isata Kanneh-Mason Fanny Mendelssohn Overture in C major Clara Schumann Piano Concerto in A minor op. 7 Intermission Johann Nepomuk Hummel Trumpet Concerto Felix Mendelssohn Bartholdy "A Midsummer Night's Dream" op. 61 MWV M 13 (excerpts from the incidental music) In cooperation with the Müller-Möhl Foundation
Conductor: Christopher Stark Time to be announced!
Violin: Kazimierz Olechovski Viola: Françoise Gnéri Violoncello: Frédéric Audibert From the event website: Pasolini said, "Culture is resistance to distraction". In a world where you can hear on the radio that discos are part of culture, there is an urgent need to defend our cultural heritage. Yes, you can listen to pure music without getting bored, yes, it is accessible and yes, the great masterpieces are timeless. Schubert and Beethoven are played alongside Florentine Mulsant.
From the website of the Bremen Philharmonic Orchestra: Of women and men 7th Philharmonic Concert She was one of the most promising female composers of her generation, and yet for a long time she only ranked in the category of "insider tip": Melanie Bonis. Her engaging "Suite en forme de valses" breathes the character of the light muse, but with its originality and elegance goes far beyond shallow salon music. A charming prelude to the 7th Philharmonic Concert on International Women's Day, with Jessica Cottis, of course, a woman at the podium of the Bremen Philharmonic. And there is another woman who deserves attention in this concert programme, Clara Schumann. As Robert Schumann's wife and closest confidante, it was she who did not allow the publication of his last violin concerto after his death. We can only speculate about the reasons. It is tragic, however, that the premiere did not take place until almost 100 years after Schumann's death, at a Nazi propaganda event. However, this should in no way diminish the importance of the work. With Frank Peter Zimmermann, it is in exactly the right hands. From stories about a work to history in a work: in Ludwig van ...
From the website of the Bremen Philharmonic Orchestra: Of women and men 7th Philharmonic Concert She was one of the most promising female composers of her generation, and yet for a long time she only ranked in the category of "insider tip": Melanie Bonis. Her engaging "Suite en forme de valses" breathes the character of the light muse, but with its originality and elegance goes far beyond shallow salon music. A charming prelude to the 7th Philharmonic Concert on International Women's Day, with Jessica Cottis, of course, a woman at the podium of the Bremen Philharmonic. And there is another woman who deserves attention in this concert programme, Clara Schumann. As Robert Schumann's wife and closest confidante, it was she who did not allow the publication of his last violin concerto after his death. We can only speculate about the reasons. It is tragic, however, that the premiere did not take place until almost 100 years after Schumann's death, at a Nazi propaganda event. However, this should in no way diminish the importance of the work. With Frank Peter Zimmermann, it is in exactly the right hands. From stories about a work to history in a work: in Ludwig van ...