Ruth Schonthal Archives - Page 2 of 2

fue 3610
Little Suite

Ruth Schonthal

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Jocasta. Opera (Hire Material)

Ruth Schonthal

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fue 2525
Jocasta

Ruth Schonthal

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fue 2870
Japanese Sketches

Ruth Schonthal

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fue 2580
In Homage of … 24 Preludes for piano

Ruth Schonthal

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fue 2670
Improvisations in three interconnected Sections

Ruth Schonthal

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fue 2680
Improvisation for Solo Cello

Ruth Schonthal

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fue 5080
Homage à Garcia Lorca

Ruth Schonthal

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fue 2520
Heidelberger Fanfare with Variations

Ruth Schonthal

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fue 2511
Happy Birthday Celebration for Orchestra

Ruth Schonthal

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fue 25115
Happy Birthday Celebration (Hire Material)

Ruth Schonthal

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fue 3160
Glockenläuten (Bildnis einer frommen Frau)

Ruth Schonthal

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fue 4610
From Sunset to Sundown Pieces for Sam & Jill for piano

Ruth Schonthal

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fue 2530
Fourteen Inventions

Ruth Schonthal

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fue 10141
for mascha. Organ solo

Fanny Hensel, geb. Mendelssohn Olga Magidenko Ruth Schonthal Siegrid Ernst Susanne Zargar Swiridoff Violeta Dinescu Vivienne Olive

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fue 3880
Five Oceanic Preludes

Ruth Schonthal

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fue 2550
Fiestas y Danzas

Ruth Schonthal

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fue 2660
Fantasy – Variations on a Jewish Liturgical Theme

Ruth Schonthal

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fue 2650
Fantasia in a Nostaligic Mood

Ruth Schonthal

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fue 25195
Evening Music, Nocturnal Fantasy with Oceanwaves (Hire Material)

Ruth Schonthal

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fue 2519
Evening Music

Ruth Schonthal

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fue 5670
Drei Liebeslieder

Ruth Schonthal

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fue 25175
Concerto for piano and orchestra No. 2 (Hire Material)

Ruth Schonthal

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fue 5650
Collagen

Ruth Schonthal

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fue 3890
Bouquets for Margret. Five Duets for piano four hands

Ruth Schonthal

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fue 5750
Bodas de Sangre (Operatic cradle song)

Ruth Schonthal

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fue 2510
Bells of Sarajevo

Ruth Schonthal

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fue 8050
Annäherung II – an sieben Komponistinnen

Adriana Hölszky Alma Mahler-Werfel Felicitas Kukuck Myriam Lucia Marbé Ruth Schonthal Violeta Dinescu Vivienne Olive

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fue 10109
Adagio Armonioso for piano

Ruth Schonthal

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fue 2780
Abendruhe mit süßem Traum

Ruth Schonthal

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fue 2700
A Bird’s song about …

Ruth Schonthal

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fue 2860
A Bird over Jerusalem

Ruth Schonthal

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fue 2630
65 Celebrations

Ruth Schonthal

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fue 4660
25 plus piano solo. 27 works by contemporary women composers

Andrea Csollány Barbara Heller Bernadetta Matuszczak Carmen Maria Cârneci Caroline Ansink Diana Čemerytė Gloria Coates Joanna Stepalska-Spix Liana Alexandra Ludmila Yurina Margarete Sorg-Rose Maria de Alvear Matilde Capuis Ruth McGuire Ruth Schonthal Sibylle Pomorin Siegrid Ernst Susanne Zargar Swiridoff Tsippi Fleischer Ursula Görsch Ursula Mamlok Violeta Dinescu Vivienne Olive

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fue 3630
2 Fanfares for 2 trumpets, Fanfare for 3 trumpets, 2 Trumpets and a Drum

Ruth Schonthal

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Ruth Schonthal was born in Hamburg in 1924. She began composing at five and became the youngest student ever accepted to the Stern Conservatory in Berlin where she received piano and theory-lessons. In 1935, because of her Jewish heritage, she was banished from the Conservatory. The persecution of Jews by the Nazi regime in Germany forced the family into exile and to settle in Stockholm. Because of her exceptional talent she was accepted at the Royal Academy of Music in Stockholm, in spite of not meeting the standard regulations for admission, a fact, that the Swedish press noted and duly protested. At the Academy Ruth Schonthal studied piano with Olaf Wibergh and composition with Ingemar Liljefors. In 1941 the political situation became again too dangerous and the family had to flee a second time, this time settling in Mexico City. There Ruth Schonthal continued her studies of composition with Manuel M. Ponce. At age nineteen, she was the soloist at the world premiere of her own Piano Concerto in the Palacio de Bellas Artes. In 1946 she met Paul Hindemith, who was on a concert tour in Mexico City. She accepted his offer to study with him at the Yale University on a scholarship that Paul Hindemith procured for her. She graduated in 1948, one of the few who graduated with honors.
Ruth Schonthal never followed the prevalent contemporary aesthetic fashions. At a time when Anton Webern and John Cage were the American role models, she followed her own musical path, never denying her own classic-romantic heritage. The extraordinarily varied impressions she absorbed in the course of her life in different parts of the world provided the foundation of her musical style.
Ruth Schonthal has received commissions for chamber music, operas, symphonic works as well as for compositions for piano and organ. In 1994 she was the recipient of the ”Heidelberger Künstlerinnenpreis“ and was honored by the Prinz Carl am Kornmarkt Museum in Heidelberg with an exhibition about her life and work. Also in the USA she was the recipient of many honors and awards, amongst them ”Meet the Composer grants“ and ”ASCAP awards“. She was a finalist in the New York City Opera Competition with her opera “The Courtship of Camilla” (A. A. Milne) and a finalist in the Kennedy-Center-Friedheim Competition with her “In Homage of …” (24 Preludes). In addition she received a „Certificate of Merit“ from the Yale School of Alumni Association for outstanding service to music and an ”Outstanding Musician Award“ from New York University as well as numerous honors and awards from local Arts and Cultural organizations. Ruth Schonthal died on July 10, 2006 in Scarsdale, New York. Since 1997 the publishing house Furore Verlag is Ruth Schonthal’s exclusive publisher.