Description
Edited by Wolfgang Danzmayr
Inhalt/Contents
1. Bettine von Arnim 1789 – 1859
Ach neige, du Schmerzenreiche
EH., Kl. (B), Fag., Hr. 1 (F), Hr. 2 (F), S, Vl. 1, Vl. 2, Va., Vc., Kb.
2. Josephine Lang 1815–1880
Lieb Kind (1834)
S, Vl. 1, Vl. 2, Va., Vc., Kb.
3. Josephine Lang 1815–1880
Lebet wohl, geliebte Bäume op. 9,1 (1834)
Ob. (EH.), Kl. (B), Fag., MS., Vl. 1, Vl. 2, Va., Vc., Kb.
4. Josephine Lang 1815–1880
Mignons Klage op. 10,2 (1835)
Fl., Ob. (EH.), Kl. (B), Fag., Hrn. (F), Ms., Vl. 1, Vl. 2, Va., Vc., Kb.
5. Johanna Kinkel 1810–1858
An den Mond op. 7,5 (1838)
Fl. 1, Fl. 2, Kl. (B), MS., Vl. 1, Vl. 2, Va., Vc., Kb.
6. Fanny Hensel 1805–1847
Wenn ich mir in stiller Seele (1828)
Kl. 1 (B), Kl. 2 (B), Fag. 1, Fag. 2, S, Vl. 1, Vl. 2, Va., Vc., Kb.
7. Fanny Hensel 1805–1847
Dämmrung senkte sich von oben (1834)
Fl., Ob., Kl. (B), Hr. 1 (F), Hr. 2 (F), MS., Vl. 1, Vl. 2, Va., Vc., Kb.
8. Clara Schumann 1819–1896
Das Veilchen (1853)
S., Vl. 1, Vl. 2, Va., Vc., Kb.
Preface
A few years ago, when I first heard a series of works by female composers of the Romantic period, I decided to perform music composed exclusively by women in at least one concert per year with my ‘orchestra project’. Quite a few pieces were then – not surprisingly – Austrian premieres.
In the course of my research, the song collection of the Furore publishing house “Inspired by Goethe” (fue 6300) quickly made me wish for a chamber orchestra accompaniment of several songs. Their compositional quality as well as the tonal richness of the piano accompaniments resulted – without interfering with the original composition itself – in varied instrumentations adapted to the respective song and its lyricism.
Wolfgang Danzmayr, Salzburg, May 2021
