Description
Edition: Score
Furore Edition 15015
Wolken-Lieder (1923): Text Theowill Übelacker
Späte Lieder (1946/47): 1. Einem Vorangegangenen (1946) (Text: Auguste Supper), 2. Leid (1947)(Text: Ludwig Jungmann)
Sound Research of Women Composers: Twentieth Century (T 8)
hrsg. von/ed. by Jeannette La-Deur
im Auftrag der GEDOK Karlsruhe
in Kooperation mit der Badischen Landesbibliothek
As far as we are now aware, Margarete Schweikert composed most of her more than 160 songs
between 1905 and 1923. Only a few compositions were written after this period; for example, the
two “Late Songs”, these were composed in 1946/47. They were influenced by the Second World
War and the personal losses endured by Margarete Schweikert during this time. Relentless and
harsh, they are the outpourings of a strong personality who uncompromisingly concentrated her
experiences into music.
Building upon late-romantic harmony, Margarete Schweikert developed her very own distinct
style of composition for her predominantly short songs. Piano and voice blend into one, the voice
nestling in the often complex harmonic development. Her songs bubble over with creativity, each and every textual idea giving rise to unique compositional expression. She often interprets the words of the poetess or poet so delicately, that the song’s cohesion almost seems to dissolve. Musical developments are often cut short; still, she succeeds in completing the arc, establishing unity over diversity.
Margarete Schweikert combined a strong feeling for form with highly expressive, emotionally coloured creativity. She delved deep into the poetry – disruption, abomination, hardship and bleakness appeared to inspire her in particular, provoking her to express dark, dramatic outbursts. However, her multifarious oeuvre also contains songs with comparatively simple structures and restrained dynamics – playful, sometimes even with melodies reminiscent of folk songs. Margarete Schweikert often accompanied her songs herself when performing at public concerts.
