Olga Magidenko Archives - Page 2 of 2

fue 25665
Der gestohlene Buchstabe op. 27 (Hire Material)

Olga Magidenko

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fue 25667
Der gestohlene Buchstabe (VS)

Olga Magidenko

89,00 €

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fue 10188
Der gestohlende Buchstabe op. 27a

Olga Magidenko

69,00 €

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fue 26055
Das goldene Schlüsselchen op. 78 (Hire Material)

Olga Magidenko

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fue 4360
Das goldene Schlüsselchen op. 1 / Anregende Studien op. 26

Olga Magidenko

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fue 7840
Christmas Carols by Women Composers Vol. 2

Andrea Csollány Carmen Maria Cârneci Emma Wooge Ida Becker, geb. Naumann Mary Wurm Olga Magidenko Susanne Zargar Swiridoff Tsippi Fleischer Vivienne Olive

16,00 €

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fue 3390
Capriccio op. 48

Olga Magidenko

39,00 €

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fue 10100
Boogie for piano 4hands

Olga Magidenko

10,00 €

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fue 4980
BLUES op. 44a and DEAr HEiDElBErG op. 45

Olga Magidenko

12,00 €

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fue 15116
Bin ich licht oder erde (Am I light or earth) for 6 singers (SS, MSMS, AA) with 6 Claves and organ

Olga Magidenko

44,00 €

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fue 10069
Bauernhof, op. 88

Olga Magidenko

10,00 €

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fue 10247
Bachsuits for violin solo

Olga Magidenko

22,00 €

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fue 10206
Bachsuiten I-III

Olga Magidenko

22,00 €

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fue 25865
Ausatmen op. 58f (Hire Material)

Olga Magidenko

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fue 10045
Ausatmen (Ragtime) op. 58e

Olga Magidenko

14,00 €

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fue 4440
4 pieces for organ solo

Olga Magidenko

25,00 €

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Olga Magidenko comes from a Russian family of musicians. At age six, she began playing the piano and at the same time she started to compose like her father, Mikhail Magidenko. In the former Soviet Union, he was a renowned composer who wrote many operas in particular. Her mother was a pianist. 6-years-old Olga wrote her first children’s songs. At eleven, she decided to continue seriously with composition and she attended to a composition working group at her school. This went on consistently until she studied at the Conservatory composition with Aram Khachaturian. “Composing is my language and that is without limits. That is not Turkish or Russian, but my very own universal and, ultimately, my main language”,confesses Olga Magidenko. In 1991, she worked as a composer “Artist in Residence” of the Stetson University Deland, Florida. In the same year she came to Heidelberg on the recommendation of Sofia Gubaidulina, where her works have been presented for the first time in Germany at the New Music Festival. Since 1994, the composer lives in Sandhausen near Heidelberg.
“I feel more a romantic than a modern composer”, says Olga. And in her scores you will find instructions as sentimental or nostalgico.Aural sensuality and a deep mysticism are characteristic of her style, which captures with its strong sense of psychological finesse. The concentration of the material and concise form structures give the music great openness and transparency. It is a sometimes playful, sometimes of emotional depth embossed dealing with echoes of Russian folklore, which opens outrageous music rooms within a dramatic to high emotional context. The majority of her works are published by the publishing house Furore Verlag.