Olga Magidenko Archives - Page 2 of 2

fue 10336
Erdbeben (earthquake) op. 91d for flute and violoncello

Olga Magidenko

25,00 €

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fue 10338
Tarantella op. 91c for two violins

Olga Magidenko

14,00 €

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fue 10206
Bachsuiten I-III

Olga Magidenko

22,00 €

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fue 15115
Unsterblich op. 60a, 2001 and Mein Engel op. 64a, 2001

Olga Magidenko

15,00 €

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fue 4440
4 pieces for organ solo

Olga Magidenko

25,00 €

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fue 10247
Bachsuits for violin solo

Olga Magidenko

22,00 €

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fue 10039
Moldawische Suite. Easy pieces for violin and piano

Olga Magidenko

19,00 €

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fue 10365
Diabelli – M op. 114 for piano

Olga Magidenko

10,00 €

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fue 10434
First Steps: Three pieces for beginners on the flute

Olga Magidenko

7,00 €

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fue 10111
Three Etudes for piano

Olga Magidenko

10,00 €

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fue 10065
Spanish op. 64 a (7‘) Toccata (Christmas joke) op. 110 (4‘30‘) for Violoncello solo

Olga Magidenko

10,00 €

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fue 10106
Dunkle Helle (Dark Light) for violoncello and piano

Olga Magidenko

12,00 €

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10271
Zinnsoldaten (Tin Soldiers) for Violoncello and piano

Olga Magidenko

10,00 €

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fue 10272
Zinnsoldaten (Tin Soldiers) for viola and piano

Olga Magidenko

10,00 €

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10273
Zinnsoldaten (Tin Soldiers) for Violin and Piano

Olga Magidenko

10,00 €

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fue 15116
Bin ich licht oder erde (Am I light or earth) for 6 singers (SS, MSMS, AA) with 6 Claves and organ

Olga Magidenko

44,00 €

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Olga Magidenko comes from a Russian family of musicians. At age six, she began playing the piano and at the same time she started to compose like her father, Mikhail Magidenko. In the former Soviet Union, he was a renowned composer who wrote many operas in particular. Her mother was a pianist. 6-years-old Olga wrote her first children’s songs. At eleven, she decided to continue seriously with composition and she attended to a composition working group at her school. This went on consistently until she studied at the Conservatory composition with Aram Khachaturian. “Composing is my language and that is without limits. That is not Turkish or Russian, but my very own universal and, ultimately, my main language”,confesses Olga Magidenko. In 1991, she worked as a composer “Artist in Residence” of the Stetson University Deland, Florida. In the same year she came to Heidelberg on the recommendation of Sofia Gubaidulina, where her works have been presented for the first time in Germany at the New Music Festival. Since 1994, the composer lives in Sandhausen near Heidelberg.
“I feel more a romantic than a modern composer”, says Olga. And in her scores you will find instructions as sentimental or nostalgico.Aural sensuality and a deep mysticism are characteristic of her style, which captures with its strong sense of psychological finesse. The concentration of the material and concise form structures give the music great openness and transparency. It is a sometimes playful, sometimes of emotional depth embossed dealing with echoes of Russian folklore, which opens outrageous music rooms within a dramatic to high emotional context. The majority of her works are published by the publishing house Furore Verlag.