Olga Magidenko Archives - Page 2 of 2

fue 10100
Boogie for piano 4hands

Olga Magidenko

10,00 €

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fue 10041
Wind in the Neckar valley for percussion and piano

Olga Magidenko

19,00 €

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fue 25855
Medea. Opera (Hire Material)

Olga Magidenko

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fue 10029
Einatmen – Ausatmen op. 58a

Olga Magidenko

12,00 €

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fue 3390
Capriccio op. 48

Olga Magidenko

39,00 €

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fue 4360
Das goldene Schlüsselchen op. 1 / Anregende Studien op. 26

Olga Magidenko

14,00 €

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fue 10040
Little Sonatina, op. 89

Olga Magidenko

4,00 €

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fue 10069
Bauernhof, op. 88

Olga Magidenko

10,00 €

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fue 25665
Der gestohlene Buchstabe op. 27 (Hire Material)

Olga Magidenko

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fue 6230
Heidelberg op. 46

Olga Magidenko

8,00 €

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fue 6190
Neckar

Olga Magidenko

15,00 €

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fue 4420
Sonate op. 2 & Lustige Fughettas op. 3

Olga Magidenko

17,00 €

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fue 2410
Schamanische Musik op. 32

Olga Magidenko

32,00 €

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fue 2040
Mosaikes op. 31

Olga Magidenko

16,50 €

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fue 2030
Romantic Trio op. 17

Olga Magidenko

23,50 €

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fue 2020
Two Esse op. 15

Olga Magidenko

21,00 €

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Olga Magidenko comes from a Russian family of musicians. At age six, she began playing the piano and at the same time she started to compose like her father, Mikhail Magidenko. In the former Soviet Union, he was a renowned composer who wrote many operas in particular. Her mother was a pianist. 6-years-old Olga wrote her first children’s songs. At eleven, she decided to continue seriously with composition and she attended to a composition working group at her school. This went on consistently until she studied at the Conservatory composition with Aram Khachaturian. “Composing is my language and that is without limits. That is not Turkish or Russian, but my very own universal and, ultimately, my main language”,confesses Olga Magidenko. In 1991, she worked as a composer “Artist in Residence” of the Stetson University Deland, Florida. In the same year she came to Heidelberg on the recommendation of Sofia Gubaidulina, where her works have been presented for the first time in Germany at the New Music Festival. Since 1994, the composer lives in Sandhausen near Heidelberg.
“I feel more a romantic than a modern composer”, says Olga. And in her scores you will find instructions as sentimental or nostalgico.Aural sensuality and a deep mysticism are characteristic of her style, which captures with its strong sense of psychological finesse. The concentration of the material and concise form structures give the music great openness and transparency. It is a sometimes playful, sometimes of emotional depth embossed dealing with echoes of Russian folklore, which opens outrageous music rooms within a dramatic to high emotional context. The majority of her works are published by the publishing house Furore Verlag.