Veranstaltungen für April 6 - Mai 10

Célèbre pour sa beauté et son raffinement, la poésie arabe joue un rôle central dans la culture arabo-musulmane, touchant des thèmes variés tels que l’amour, la nature, la spiritualité et la politique. Sa richesse réside dans sa capacité à exprimer des nuances, des images et des sentiments d’une manière unique. Des lectures de poèmes s’entremêlent au programme musical et illustrent ce voyage du Tigre au Danube. Sur le chemin, Johan Farjot nous présente en création mondiale sa pièce Burning with the desire to join you.

Yannick Nézet-Séguin interprets Schubert’s Symphony No. 9, “The Great,” an imposing yet deeply personal work. Christian Blackshaw, a contemporary Mozart masters, delivers a crystal clear rendition of the composer’s work. With Piano Concerto No. 24, our artist-in-residence highlights Mozart’s ability to convey the depth of human emotion through music. In Overture No. 3 by Emilie Mayer, also known as the “female Beethoven,” Yannick Nézet-Séguin and the OM continue exploring an unjustly neglected repertoire— that of female composers.

Featured Artists Mesquite Symphony Orchestra Felix Torres, conductor Stephan Gomez, assistant conductor

Yannick Nézet-Séguin interprets Schubert’s Symphony No. 9, “The Great,” an imposing yet deeply personal work. Christian Blackshaw, a contemporary Mozart masters, delivers a crystal clear rendition of the composer’s work. With Piano Concerto No. 24, our artist-in-residence highlights Mozart’s ability to convey the depth of human emotion through music. In Overture No. 3 by Emilie Mayer, also known as the “female Beethoven,” Yannick Nézet-Séguin and the OM continue exploring an unjustly neglected repertoire— that of female composers.

Yannick Nézet-Séguin interprets Schubert’s Symphony No. 9, “The Great,” an imposing yet deeply personal work. Christian Blackshaw, a contemporary Mozart masters, delivers a crystal clear rendition of the composer’s work. With Piano Concerto No. 24, our artist-in-residence highlights Mozart’s ability to convey the depth of human emotion through music. In Overture No. 3 by Emilie Mayer, also known as the “female Beethoven,” Yannick Nézet-Séguin and the OM continue exploring an unjustly neglected repertoire— that of female composers.

Leitung: Benjamin Rapp